When making a quilt there is value in stepping away and coming back to the project the next day, week or sometimes months later; the same is true when researching an object. I notice new symbolism with each passing day; today it was discovering two new motifs, Buddha’s Hands --which symbolizes prosperity in Chinese culture (top) and Cao Guojiu’s (one of the 8 Daoist Immortals) Castanets or Tablets (bottom).
- Dottie Evans
21st century Chinese girls are going to school and receiving an education. They are spending less time with their mothers and grandmothers learning the traditional sewing techniques of their culture. In the past a young girl would make a baby carrier before her marriage. Today she is more likely to go to the market and buy a finished carrier made by an older woman in the community. Or she will buy the component parts of the carrier and assemble them at home. The finished product shows evidence of the differing skill levels of the two generations.
- Ruth Walker
Then I remembered a window we saw at the Beijing Antique Market. It is a design Marin calls “cracked ice.” Could this be related to the development of crazy quilts too?
- Cindy DeLong
- Anna Rolapp
|Ba Gua (Eight Symbols of Daoist philosophy, |
often depicted in an octagon shape)
In Taoism, “bagua,” which means “eight symbols,” represents principles of reality. There are many combinations and relate to heaven, earth, wind, water, and other concepts. They are represented by an eight-sided form we call an octagon. A Chinese bagua quilt has eight-sided blocks similar to what Western quilters call Pineapple Log Cabin.
|Block in a mid-nineteenth century Japanese kimono|
Today we saw this form in a circa 1850 Japanese kimono jacket, the circa 1983 bai jia bei quilt, and in the 2013 bai jia bei quilt I am studying. The blocks in the kimono jacket and older bai jia bei were less than perfect, actually pretty crooked and irregular, and they reminded me a little bit of a crazy quilt block.
|”Cracked Ice” imagery in a decorative window screen|
- Cindy DeLong
|Longpo Yi ("Dragon Wife's Robe") from Writing with Thread: Traditional Textiles of Southwest Chinese Minorities|
Today's task was to go through supplementary material to search for similar objects, design styles, etc... In one of the books, Writing with Thread: Traditional Textiles of Southwest Chinese Minorities, from the University of Hawaii Art Gallery, I found something exciting! Its another example of this object! Appliqued half-square triangles are placed on a dark woven ground. The description describes this object as a Longpo Yi ("Dragon Wife's Robe"), a ceremonial robe worn by a female during funeral processions. I now have a name for this beautiful robe - a Longpo Yi.
- Amanda Lensch
|Reverse side of the waistcoat|
The quilted waistcoat I am studying has a Hollywood connection. Now that makes me homesick! (I am from California). It was purchased by a costume designer to possibly be copied for use in Bernardo Bertolucci’s film "The Last Emperor" in 1985.
- Anna Rolapp